HKSYU Course Resources
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LEADER 03359cam a2200445 i 4500
001
991007194709707546
005
20220928114926.0
008
200914t20082003hiua bq 001 0 eng
020
a| 9780824832964
q| (paperback :
q| alkaline paper)
020
z| 0824825322
q| (hardcover :
q| alkaline paper)
035
a| (HKSYU)b20867803-852hksyu_inst
035
a| (OCoLC)50192156
z| (OCoLC)225820701
040
a| DLC
b| eng
c| DLC
d| C#P
d| MUQ
d| BAKER
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d| YDXCP
d| VGM
d| BWX
d| HEBIS
d| OCLCQ
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d| OCL
d| OCLCQ
d| UtOrBLW
d| HK-SYU
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a| a-cc---
050
4
a| PN1993.5.C4
b| C85 2003
082
0
0
a| 791.43/0951
2| 21
092
0
a| 791.430951
b| CUI 2008
100
1
a| Cui, Shuqin
245
1
0
a| Women through the lens :
b| gender and nation in a century of Chinese cinema /
c| Shuqin Cui
246
3
0
a| Gender and nation in a century of Chinese cinema
264
1
a| Honolulu :
b| University of Hawaiʻi Press,
c| 2008
264
4
c| ©2003
300
a| xxvi, 304 pages :
b| illustrations ;
c| 23 cm
336
a| text
b| txt
2| rdacontent
337
a| unmediated
b| n
2| rdamedia
338
a| volume
b| nc
2| rdacarrier
500
a| Paperback edition 2008.
504
a| Includes bibliographical references (pages 287-297) and index
504
a| Filmography: pages 249-267
505
0
a| Part I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in Xie Jin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity: female impersonation in Chen Kaige's Farewell my concubine -- Part IV. Women's films. Feminism with Chinese characteristics? ; Desire in difference: female voice and point of view in Hu Mei's Army nurse ; Transgender masquerading in Huang Shuqin's Human, woman, demon
520
1
a| "Women Through the Lens raises the question of how gender, especially the image of woman, acts as a visual and discursive sign in the creation of the nation-state in twentieth-century China. Tracing the history of Chinese cinema through the last hundred years from the perspective of transnational feminism, Shuqin Cui reveals how women have been granted a "privileged visibility" on-screen while being denied discursive positions as subjects. In addition, her careful attention to the visual language system of cinema shows how "woman" has served as the site for the narration of nation in the context of China's changing social and political climate."
520
8
a| "Women Through the Lens will appeal to scholars and students in the fields of film, gender, and Asian studies, and to general readers interested in Chinese cinema."--Jacket
650
0
a| Motion pictures
z| China
x| History
650
0
a| Women in motion pictures
650
0
a| Sex role in motion pictures
907
a| b20867803
b| 08-01-22
c| 14-09-20
910
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935
a| (HK-SYU)501005017
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998
a| book
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945
h| Supplement
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n| CHI102A