HKSYU Course Resources
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LEADER 04128cam a22006498a 4500
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20220623124150.0
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051228s2005 ncu s001 0 eng
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a| 2005023603
020
a| 1932643192 (cloth : alk. paper)
020
a| 193264301X (pbk. : alk. paper)
035
a| (HKSYU)b11855599-852hksyu_inst
040
a| DLC
c| DLC
d| BAKER
d| HUA
d| HKSYC
042
a| pcc
043
a| a-cc-hk
050
4
a| PN1995.9.A3
b| H66 2005
082
0
0
a| 791.43/655/095125
2| 22
092
0
a| 791.43655095125
b| HON 2005
245
0
0
a| Hong Kong connections :
b| transnational imagination in action cinema /
c| edited by Meaghan Morris, Siu Leung Li, and Stephen Chan Ching-kiu.
260
a| Durham :
b| Duke University Press ;
c| Hong Kong :
b| Hong Kong University Press,
c| 2005.
300
a| xvi, 343 p. ;
c| 23 cm.
500
a| "The essays published here were developed from papers given at the Hong Kong connections : transnational imagination in action cinema conference ... at Lingnan University, Hong Kong, January 6-9, 2003"--Acknowledgment.
504
a| Includes bibliographical references (p. [287]-324) and index.
650
0
a| Action and adventure films
x| History and criticism.
650
0
a| Action and adventure films
z| China
z| Hong Kong
x| History and criticism.
700
1
a| Morris, Meaghan.
700
1
a| Li, Siu Leung,
d| 1958-
700
1
a| Chan, Ching-kiu, Stephen.
907
a| b11855599
b| 08-01-22
c| 29-07-06
910
a| wpc
b| ksc
935
a| (HKSYC)500613886
9| ExL
970
0
1
t| Acknowledgements
p| ix
970
0
1
t| Contributors
p| xi
970
0
1
t| Introduction : Hong Kong connections
c| Meaghan Morris
f| Morris, Meaghan
p| 1
970
1
1
l| Pt.1
t| History, imagination and Hong Kong popular culture
p| 19
970
1
2
l| 1
t| Moving body: the interactions between Chinese opera and action cinema
c| Yung Sai-shing
f| Yung, Sai-shing
p| 21
970
1
2
l| 2
t| Interactions between Japanese and Hong Kong action cinemas
c| Kinnia Yau Shuk-ting
f| Yau, Shuk-ting, Kinnia
p| 35
970
1
2
l| 3
t| The myth continues: cinematic Kung Fu in modernity
c| Siu Leung Li
f| Li, Siu-leung
p| 49
970
1
2
l| 4
t| The fighting condition in Hong Kong cinema: local icons and cultural antidotes for the global popular
c| Stephen Chan Ching-kiu
f| Chan, Ching-kiu, Stephen
p| 63
970
1
2
l| 5
t| Order/anti-order: representation of identity in Hong Kong action movies
c| Dai Jinhua
f| Dai, Jinhua
p| 81
970
1
1
l| Pt.2
t| Action cinema as contact zone
p| 95
970
1
2
l| 6
t| Genre as contact zone: Hong Kong action and Korean Hwalkuk
c| Kim Soyoung
f| Kim, Soyoung
p| 97
970
1
2
l| 7
t| Hong Kong action film and the career of the Telugu mass hero
c| S.V. Srinivas
f| Srinivas, S. V.
p| 111
970
1
2
l| 8
t| Hong Kong-Hollywood-Bombay: on the function of "Martial art" in the Hindi action cinema
c| Valentina Vitali
f| Vitali, Valentina
p| 125
970
1
2
l| 9
t| Let's miscegenate: Jackie Chan and his African-American connection
c| Laleen Jayamanne
f| Jayamanne, Laleen
p| 151
970
1
2
l| 10
t| The secret of movement: the influence of Hong Kong action cinema upon the contemporary French avant-agrde
c| Nicole Brenez
f| Brenez, Nicole
p| 163
970
1
2
l| 11
t| At the edge of the cut: an encounterwith the Hong Kong style in contemporary action cinema
c| Adrian Martin
f| Martin, Adrian
p| 175
970
1
1
l| Pt.3
t| Translation and embodiment: technologies of globalisation
p| 189
970
1
2
l| 12
t| Wuxia redux: Crouching tiger, Hidden dragon as a model of late transnational production
c| Stephen Teo
f| Teo, Stephen
p| 191
970
1
2
l| 13
t| Hong Kong film and the new cinephilia
c| David Desser
f| Desser, David
p| 205
970
1
2
l| 14
t| Action cinema, labour power and the video market
c| Paul Willemen
f| Willemen, Paul
p| 223
970
1
2
l| 15
t| Spectral critiques: tracking "Uncanny" filmic paths towards a bio-poetics of trans-Pacific globalization
c| Rob Wilson
f| Wilson, Rob
p| 249
970
1
2
l| 16
t| Technoscience culture, embodiment and Wuda pian
c| Wong, Kin-yuen
f| Wong, Kin-yuen
p| 269
970
0
1
t| Notes
p| 287
970
0
1
t| Index
p| 327
998
a| book
b| 09-08-06
c| m
d| a
e| -
f| eng
g| ncu
h| 0
i| 0
945
h| Supplement
l| location
i| barcode
y| id
f| bookplate
a| callnoa
b| callnob
n| GEA204