HKSYU Course Resources
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LEADER 05635cam a2201405 a 4500
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991001590519707546
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20220623125217.0
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121213s2013 enka b 001 0 eng d
020
a| 9781849205726 (hbk.)
020
a| 1849205728 (hbk.)
020
a| 9781849205733 (pbk.)
020
a| 1849205736 (pbk.)
035
a| (HKSYU)b14895080-852hksyu_inst
040
a| UKMGB
b| eng
c| UKMGB
d| OCLCO
d| YDXCP
d| CDX
d| UAB
d| HUA
d| NhCcYME
d| HK-SYU
050
4
a| HD9999.C9472
b| D38 2013
082
0
4
a| 338.477
2| 23
092
0
a| 338.477
b| DAV 2013
100
1
a| Davies, Rosamund.
245
1
0
a| Introducing the creative industries :
b| from theory to practice /
c| Rosamund Davies and Gauti Sigthorsson.
260
a| London :
b| Sage,
c| 2013.
300
a| x, 269 p. :
b| ill. ;
c| 24 cm.
504
a| Includes bibliographical references (p. [247]-262) and index.
650
0
a| Cultural industries.
700
1
a| Sigthorsson, Gauti.
907
a| b14895080
b| 08-01-22
c| 12-05-14
910
a| nlw
b| df
935
a| (HK-SYU)500837535
9| ExL
970
0
1
t| Acknowledgements
p| viii
970
0
1
t| Introduction: How to Use This Book
p| ix
970
1
1
l| 1.
t| What are the Creative Industries?
p| 1
970
1
1
t| Defining the Creative Industries
p| 1
970
1
1
t| Studying the Creative Industries - Three Approaches
p| 7
970
1
1
t| Summary
p| 20
970
1
1
t| Recommended Reading
p| 20
970
1
1
l| 2.
t| Creativity and Commerce
p| 22
970
1
1
t| Patronage: Wealth, Power and Religion in Italian Renaissance Painting
p| 24
970
1
1
t| The Marketplace: English Theatre in the Time of Shakespeare
p| 29
970
1
1
t| Reproduction and Mass-production: The Print Revolution
p| 31
970
1
1
t| Industrial Production
p| 34
970
1
1
t| Industrialized Media Production: The Studio System
p| 38
970
1
1
t| Summary
p| 41
970
1
1
t| Recommended Reading
p| 41
970
1
1
l| pt. 1
t| Working in the Creative Industries
p| 43
970
1
1
l| 3.
t| Institutions, Ownership and Entrepreneurship
p| 45
970
1
1
t| The Organization of Production
p| 46
970
1
1
t| Workplaces
p| 55
970
1
1
t| Work Structures
p| 57
970
1
1
t| Work Patterns
p| 59
970
1
1
t| Finding Work
p| 60
970
1
1
t| Career Trajectories and Portfolios
p| 62
970
1
1
t| National and International Perspectives
p| 65
970
1
1
t| Summary
p| 68
970
1
1
t| Recommended Reading
p| 68
970
1
1
l| 4.
t| The Business of Creativity
p| 70
970
1
1
t| Sole Traders and Microbusinesses
p| 70
970
1
1
t| Financing a Creative Business
p| 79
970
1
1
t| Contracts and Rights
p| 79
970
1
1
t| Business Models
p| 80
970
1
1
t| PEST: Political, Economic, Social and Technological Factors
p| 84
970
1
1
t| Clustering and the Sense of Creative Community
p| 86
970
1
1
t| Summary
p| 89
970
1
1
t| Recommended Reading
p| 90
970
1
1
l| 5.
t| Work Routines and Work Cultures
p| 92
970
1
1
t| Employees: Staffers, In-house Workers
p| 92
970
1
1
t| Freelancers and Portfolio Workers
p| 102
970
1
1
t| Networking
p| 104
970
1
1
t| Equality of Opportunity?
p| 114
970
1
1
t| Summary
p| 120
970
1
1
t| Recommended Reading
p| 120
970
1
1
l| pt. 2
t| Production and Circulation of Products
p| 123
970
1
1
l| 6.
t| Creative Producers and Products
p| 125
970
1
1
t| Creative Goods and Services: Tangible and Intangible
p| 125
970
1
1
t| Creative Originals Producers
p| 126
970
1
1
t| Creative Content Producers
p| 128
970
1
1
t| Creative Experience Providers
p| 131
970
1
1
t| Creative Service Providers
p| 132
970
1
1
t| From Simple Creative Goods to Complex Creative Goods
p| 134
970
1
1
t| Summary
p| 137
970
1
1
t| Recommended Reading
p| 137
970
1
1
l| 7.
t| Research, Development and Production
p| 138
970
1
1
t| Research and Development
p| 138
970
1
1
t| Production
p| 147
970
1
1
t| Summary
p| 156
970
1
1
t| Recommended Reading
p| 156
970
1
1
l| 8.
t| Circulation: Marketing and Distribution of Creative Products
p| 158
970
1
1
t| Circulation
p| 158
970
1
1
t| The Mass Market Model
p| 159
970
1
1
t| Channels of Distribution and Marketing
p| 160
970
1
1
t| What is Marketing?
p| 161
970
1
1
t| Selling Stuff: Retail and its Disruptions
p| 163
970
1
1
t| Summary
p| 173
970
1
1
t| Recommended Reading
p| 173
970
1
1
l| pt. 3
t| The Creative Economy
p| 175
970
1
1
l| 9.
t| Institutional Commissioning and Financing Structures
p| 177
970
1
1
t| Business Models in the Television Sector
p| 177
970
1
1
t| Commissioning in Television
p| 179
970
1
1
t| How Do Writers and Producers Get TV Commissions?
p| 180
970
1
1
t| Finding a Route In
p| 184
970
1
1
t| Commissioning and the Business of Magazine Publishing
p| 187
970
1
1
t| Summary
p| 193
970
1
1
t| Recommended Reading
p| 193
970
1
1
l| 10.
t| Clients, Funders and Going It Alone
p| 195
970
1
1
t| Working to Brief: The Client Relationship
p| 195
970
1
1
t| Public Funding
p| 203
970
1
1
t| Entrepreneurial Approaches
p| 206
970
1
1
t| Self-funding
p| 211
970
1
1
t| Crowdfunding
p| 213
970
1
1
t| Summary
p| 215
970
1
1
t| Recommended Reading
p| 216
970
1
1
l| 11.
t| The Changing Economic Landscape
p| 217
970
1
1
t| Creativity and Commerce: Novelty, Risk and Change
p| 218
970
1
1
t| Changing Work Routines and Work Cultures
p| 219
970
1
1
t| Changing Structures and Models
p| 223
970
1
1
t| Jobs That Don't Exist Yet
p| 225
970
1
1
t| Recommended Reading
p| 226
970
0
1
t| Glossary
p| 227
970
0
1
t| References
p| 247
970
0
1
t| Index
p| 263
998
a| book
b| 04-06-14
c| m
d| a
e| -
f| eng
g| enk
h| 0
i| 0
945
h| Supplement
l| location
i| barcode
y| id
f| bookplate
a| callnoa
b| callnob
n| GEA106